{"id":17880,"date":"2024-07-02T19:30:15","date_gmt":"2024-07-02T11:30:15","guid":{"rendered":"https:\/\/www.cnteaspirit.com\/?p=17880"},"modified":"2024-07-28T19:30:35","modified_gmt":"2024-07-28T11:30:35","slug":"discover-the-six-classic-glaze-patterns-of-jian-zhan","status":"publish","type":"post","link":"https:\/\/www.cnteaspirit.com\/it\/discover-the-six-classic-glaze-patterns-of-jian-zhan\/","title":{"rendered":"Jian Zhan: Alla scoperta dei sei motivi classici degli smalti"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Il Jian Zhan rappresenta l\u2019arte complessa della fusione tra terra e fuoco, incarnando il motto \u201cuna tazza, un mondo\u201d. Lo smalto del Jian Zhan subisce una trasformazione ad alte temperature, intorno ai 1300 gradi Celsius, creando motivi unici e naturali noti come \u201ccambiamenti da forno\u201d. Lo smalto cristallino e i suoi vivaci motivi di \u201ccambiamenti da forno\u201d sono ci\u00f2 che rende il Jian Zhan cos\u00ec affascinante. Oggi esploriamo i sei motivi classici dello smalto di Jian Zhan: smalto nero, smalto \u201cpelliccia di lepre\u201d, smalto \u201cmacchia d\u2019olio\u201d, smalto \u201cpiuma di pernice\u201d, smalto Yaobian e smalto multicolore.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1. Smalto nero<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo smalto nero, noto anche come smalto nero puro, \u00e8 un classico smalto Jian Zhan privo di motivi decorativi. Alcuni esemplari appaiono di un nero corvino, mentre altri presentano una leggera sfumatura bluastra, per cui vengono anche definiti \u201csmalto blu scuro\u201d o \u201csmalto nero dorato\u201d.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvfFwPreeTicrK4X5AqtWxuXjeUm1Dn2AnOIoT3AnSp5T8eENbScNt0vw_-1.jpg\" alt=\"\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;width:750px;height:auto\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il termine \u201cblu scuro\u201d \u00e8 riportato nel \u201cTrattato sul t\u00e8\u201d di Cai Xiang: \u201cQuando il t\u00e8 \u00e8 di colore bianco, si abbina meglio alle tazze nere. Quelle prodotte a Jian\u2019an sono di colore blu scuro, con motivi simili a peli di coniglio\u201d.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rv71sSUjTyxeNLGZUWHEP1Qyjn0779IFBZahrln9TDVAu9YaXOMoN5DA_-2.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">I primi Jian Zhan con smalto nero, noti anche come \u201csmalto nero salsa\u201d, presentavano formule di smalto diverse rispetto allo smalto nero maturo ed erano in genere pi\u00f9 sottili e meno brillanti.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvSbWpHMATYPMib6rv6UNQOPPiaF0z7eTuyFocSCCqTQO5BFu3AlicQx4NQ_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">2. Glassa alla pelliccia di lepre<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo smalto \u201cPelo di lepre\u201d \u00e8 lo smalto pi\u00f9 caratteristico e pi\u00f9 diffuso a Jian Zhan. Il suo motivo si presenta come sottili striature radiali su uno sfondo nero o marrone, che ricordano i peli fini e morbidi di un coniglio, da cui il nome.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvJTxo6Q862EfxxgKpDAJa6cOYjXkZI0yK2pic8E7MuI2TVlnib6fia4gIw_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Durante la dinastia Song, numerose poesie elogiavano le tazze \u201cPelo di lepre\u201d. L\u2019imperatore Huizong della dinastia Song afferm\u00f2: \u00abIl colore di queste tazze \u00e8 apprezzato per la sua tonalit\u00e0 blu-nera, e quelle con venature simili alla giada sono le migliori\u00bb, riferendosi proprio alle tazze \u201cPelo di lepre\u201d. Queste tazze erano molto apprezzate e spesso raffigurate nella letteratura dedicata al t\u00e8.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvfnSeibwom4Tt2dZcW7OXu0SqtLjI56ibiaAA4R9ZG1qlI5441VasDibRDw_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">I motivi della \u201cHare\u2019s Fur\u201d variano in lunghezza, spessore e curvatura. I colori vanno dal dorato, all\u2019argento e al marrone, e vengono ulteriormente classificati in \u201cGold Hare\u2019s Fur\u201d, \u201cSilver Hare\u2019s Fur\u201d e \u201cBlue Hare\u2019s Fur\u201d. I diversi colori derivano dalle variazioni nella struttura cristallina e nella composizione.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rviaxUabbCeBPuOmKnqyjx7hwrNu70bcqyWQZzNgII7wAot0zKpO4WyHw_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">3. Smalto a macchie d'olio<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La smaltatura \u201cOil Spot\u201d \u00e8 una tecnica molto apprezzata risalente alla dinastia Song. Il termine \u201cOil Spot\u201d, utilizzato per descrivere i motivi Jian Zhan, ha origine in Giappone, dove le prime testimonianze risalgono al periodo Muromachi (1394-1427). La sua produzione \u00e8 complessa ed \u00e8 seconda solo allo smalto Yaobian in Giappone.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvXoHiaw7PyVHY6aDX62ia2D71bybZoHeU02Ooey3k041UjnXDwB2Krkqw_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 797px; --smush-placeholder-aspect-ratio: 797\/532;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La smaltatura \u201cOil Spot Glaze\u201d \u00e8 caratterizzata da numerose macchie metalliche dorate o argentate sparse su uno sfondo nero, da cui il nome. Queste macchie variano per dimensioni e forma, ricordando goccioline di olio bollente.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvcOlLe86MOTjzc8WnLLujLmPS1KGjiar63XKlKju7p4jTchSHawnGh2g_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">4. Smalto alle piume di pernice<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo smalto \u201cPiuma di pernice\u201d \u00e8 uno smalto raro e pregiato nella tradizione Jian Zhan, molto apprezzato dagli studiosi della dinastia Song e spesso citato nella poesia. Il suo nome deriva dalla pernice, nota per le caratteristiche venature delle sue piume.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvEL6DgUc8IbEUXpSJOPhHyT95Gjw5mGhhSjXoxbjlibe4M4Oa04OUKibw_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 712px; --smush-placeholder-aspect-ratio: 712\/469;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lo smalto \u201cPartridge Feather\u201d presenta motivi che ricordano le macchie ellittiche presenti sulle piume del petto della pernice. Si tratta di uno smalto complesso da realizzare e con una bassa percentuale di successo, il che rende i pezzi sopravvissuti estremamente rari.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rv6eicpBhnH5hUbuiarzYrTu757ZPOzBxW7tBn5TgWbRZRj3gEicLCBticCQ_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 683px; --smush-placeholder-aspect-ratio: 683\/455;\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">5. Smalto Yaobian<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Come \u201cOil Spot\u201d, anche il termine \u201cYaobian\u201d ha origine in Giappone. In Giappone si conservano tre pezzi Yaobian completi risalenti alla dinastia Song; il pi\u00f9 famoso \u00e8 la coppa Yaobian conservata presso il Seikado Bunko Art Museum, nota come \u201cL\u2019universo in una coppa\u201d.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvfrspxa1n7NfUiblcsibU3icqHKcwZkLGlM71yctNNPHG5uKu7j9VMclsQ_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 751px; --smush-placeholder-aspect-ratio: 751\/501;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lo smalto Yaobian nasce dal massimo grado di trasformazione all\u2019interno del forno, combinando le tecniche degli smalti \u201cHare\u2019s Fur\u201d e \u201cOil Spot\u201d. Lo smalto \u00e8 caratterizzato da macchie rotonde o quasi rotonde che si raggruppano tra loro, creando un effetto simile a una nebulosa cosmica. Alla luce, gli smalti Yaobian assumono sfumature blu, rosso-violacee e dorate, producendo un effetto straordinariamente brillante.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rviagiaFkGt4155nANrplX56vL8zNdpXwXakgAObNbFg0cWEEkWibW3HPUg_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 864px; --smush-placeholder-aspect-ratio: 864\/575;\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">6. Smalti di vari colori<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo smalto \u201cVari Colori\u201d non \u00e8 realizzato intenzionalmente dagli artigiani, ma \u00e8 piuttosto il risultato inaspettato del processo di cottura. Qualsiasi smalto che non rientri nelle categorie \u201cNero\u201d, \u201cPelo di lepre\u201d, \u201cMacchia d\u2019olio\u201d, \u201cPiuma di pernice\u201d o \u201cYaobian\u201d viene classificato come smalto \u201cVari Colori\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvB8kWtvd7oUw266cjBmNnKNuzBh9JOp6pz3ibaicgdpwHSUG9iapTvaH9A_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/900;\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Gli smalti in vari colori comprendono un\u2019ampia gamma di tonalit\u00e0 e motivi, quali il rosso cachi, la polvere di t\u00e8, le macchie di ruggine, lo smalto craquel\u00e9, lo smalto grigio e altri ancora. Pur essendo frutto del caso, alcuni pezzi risultano eccezionalmente belli e unici.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/www.cnteaspirit.com\/wp-content\/uploads\/2024\/07\/cn_mmbiz_jpg_b1ficRuZicUxpMBVIibzCRh7aEwlhmGm1rvIwPcFk61GSlCTxFkCBRSJHUAcDspxKLy3BBvELOomE12GmopCAnnKw_.jpg\" alt=\"\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/600;\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Conclusione<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">L'arte di Jian Zhan risiede nei suoi motivi di smalto variegati e splendidi, ognuno con una propria storia e un proprio fascino. Che si tratti del classico smalto nero, dell\u2019elegante \u00abpelliccia di lepre\u00bb, dello splendido \u00abmacchia d\u2019olio\u00bb, del raro \u00abpiuma di pernice\u00bb, del cosmico \u00abYaobian\u00bb o dell\u2019inaspettato \u00absmalto multicolore\u00bb, ogni pezzo Jian Zhan \u00e8 una testimonianza dell\u2019abilit\u00e0 e della creativit\u00e0 del suo artefice.<\/p>","protected":false},"excerpt":{"rendered":"<p>Jian Zhan represents the intricate art of fusing earth and fire, embodying the phrase &#8220;one cup, one world.&#8221; The glaze on Jian Zhan is transformed at high temperatures, around 1300 degrees Celsius, creating unique and natural patterns known as &#8220;kiln changes.&#8221; The crystalline glaze and its vivid kiln change patterns are what make Jian Zhan [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[447],"tags":[449],"class_list":["post-17880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teaware","tag-jian-zhan"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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