{"id":17880,"date":"2024-07-02T19:30:15","date_gmt":"2024-07-02T11:30:15","guid":{"rendered":"https:\/\/www.cnteaspirit.com\/?p=17880"},"modified":"2024-07-28T19:30:35","modified_gmt":"2024-07-28T11:30:35","slug":"discover-the-six-classic-glaze-patterns-of-jian-zhan","status":"publish","type":"post","link":"https:\/\/www.cnteaspirit.com\/pl\/discover-the-six-classic-glaze-patterns-of-jian-zhan\/","title":{"rendered":"Jian Zhan: Sze\u015b\u0107 klasycznych wzor\u00f3w szkliwa \u2013 co warto o nich wiedzie\u0107"},"content":{"rendered":"

Jian Zhan uosabia skomplikowan\u0105 sztuk\u0119 \u0142\u0105czenia gliny i ognia, odzwierciedlaj\u0105c has\u0142o \u201cjedna fili\u017canka, jeden \u015bwiat\u201d. Glazura na wyrobach Jian Zhan ulega przemianie w wysokich temperaturach, si\u0119gaj\u0105cych oko\u0142o 1300 stopni Celsjusza, tworz\u0105c niepowtarzalne i naturalne wzory znane jako \u201czmiany piecowe\u201d. To w\u0142a\u015bnie krystaliczna glazura i jej \u017cywe wzory powsta\u0142e w wyniku zmian w piecu sprawiaj\u0105, \u017ce Jian Zhan jest tak urzekaj\u0105cy. Dzisiaj przyjrzyjmy si\u0119 sze\u015bciu klasycznym wzorom szkliwa Jian Zhan: szkliwu czarnemu, szkliwu \u201efutro zaj\u0105ca\u201d, szkliwu \u201eplamy oleju\u201d, szkliwu \u201epi\u00f3ro kuropatwy\u201d, szkliwu Yaobian oraz szkliwu wielobarwnemu.<\/p>\n\n\n\n

1. Czarna glazura<\/h2>\n\n\n\n

Glazura czarna, znana r\u00f3wnie\u017c jako glazura czysto czarna, to klasyczna glazura Jian Zhan bez \u017cadnych wzor\u00f3w. Niekt\u00f3re egzemplarze maj\u0105 kolor kruczoczarny, podczas gdy inne charakteryzuj\u0105 si\u0119 delikatnym niebieskawym odcieniem, okre\u015blanym r\u00f3wnie\u017c jako \u201cglazura ciemnoniebieska\u201d lub \u201cglazura czarne z\u0142oto\u201d.\u201d<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Termin \u201cciemnoniebieski\u201d odnotowano w dziele Cai Xianga \u201cZapiski o herbacie\u201d: \u201cGdy herbata ma bia\u0142y kolor, najlepiej podawa\u0107 j\u0105 w czarnych fili\u017cankach. Te wyprodukowane w Jian\u2019an s\u0105 ciemnoniebieskie i maj\u0105 wzory przypominaj\u0105ce kr\u00f3licze w\u0142osy\u201d.\u201d<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Wczesne wyroby Jian Zhan pokryte czarn\u0105 glazur\u0105, znane r\u00f3wnie\u017c jako \u201esosowa czarna glazura\u201d, charakteryzowa\u0142y si\u0119 recepturami glazury r\u00f3\u017cni\u0105cymi si\u0119 od tych stosowanych w przypadku dojrza\u0142ej czarnej glazury i zazwyczaj by\u0142y cie\u0144sze oraz mniej intensywne kolorystycznie.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

2. Polewa z futra zaj\u0105ca<\/h2>\n\n\n\n

Glazura \u201eFutro kr\u00f3lika\u201d jest najbardziej charakterystyczn\u0105 i najcz\u0119\u015bciej produkowan\u0105 glazur\u0105 w Jian Zhan. Jej wz\u00f3r sk\u0142ada si\u0119 z delikatnych, promieniuj\u0105cych smug na czarnym lub br\u0105zowym tle, przypominaj\u0105cych delikatne, mi\u0119kkie w\u0142oski kr\u00f3lika, st\u0105d te\u017c pochodzi jej nazwa.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

W dynastii Song wiele wierszy wychwala\u0142o kubki \u201cKr\u00f3likowe futro\u201d. Cesarz Huizong z dynastii Song wspomnia\u0142: \u201eKolor kubka ceniony jest za swoj\u0105 niebiesko-czarn\u0105 barw\u0119, a najlepsze s\u0105 te z smugami przypominaj\u0105cymi jadeit\u201d, odnosz\u0105c si\u0119 do kubk\u00f3w \u201eKr\u00f3likowe futro\u201d. Kubki te cieszy\u0142y si\u0119 wielkim uznaniem i cz\u0119sto pojawia\u0142y si\u0119 w literaturze po\u015bwi\u0119conej herbacie.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Wzory futra zaj\u0105ca r\u00f3\u017cni\u0105 si\u0119 d\u0142ugo\u015bci\u0105, grubo\u015bci\u0105 i krzywizn\u0105. Kolory obejmuj\u0105 z\u0142oty, srebrny i br\u0105zowy, a dalej dziel\u0105 si\u0119 na futro zaj\u0105ca z\u0142ote, futro zaj\u0105ca srebrne i futro zaj\u0105ca niebieskie. R\u00f3\u017cnice w kolorach wynikaj\u0105 z odmian w strukturze krystalicznej i sk\u0142adzie.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

3. Glazura typu \u201eoil spot\u201d<\/h2>\n\n\n\n

Glazura typu \u201cOil Spot\u201d to ceniona glazura z dynastii Song. Termin \u201eOil Spot\u201d, u\u017cywany do opisania wzor\u00f3w Jian Zhan, pochodzi z Japonii, a najwcze\u015bniejsze wzmianki na jego temat si\u0119gaj\u0105 japo\u0144skiego okresu Muromachi (1394\u20131427). Jej wytwarzanie jest trudne i ust\u0119puje pod tym wzgl\u0119dem jedynie glazurze Yaobian w Japonii.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Glazura \u201eOil Spot\u201d charakteryzuje si\u0119 licznymi z\u0142otymi lub srebrnymi metalicznymi plamkami rozsianymi na czarnym tle, st\u0105d jej nazwa. Plamki te maj\u0105 r\u00f3\u017cn\u0105 wielko\u015b\u0107 i kszta\u0142t, przypominaj\u0105c kropelki wrz\u0105cego oleju.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

4. Glazura z pi\u00f3r kuropatwy<\/h2>\n\n\n\n

Glazura \u201ePi\u00f3ro kuropatwy\u201d to rzadka i ceniona glazura w stylu Jian Zhan, kt\u00f3r\u0105 upodabali sobie uczeni z dynastii Song i o kt\u00f3rej cz\u0119sto wspomina si\u0119 w poezji. Jej nazwa pochodzi od kuropatwy, znanej z charakterystycznego ubarwienia pi\u00f3r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Glazura \u201ePartridge Feather\u201d charakteryzuje si\u0119 wzorami przypominaj\u0105cymi eliptyczne plamki na pi\u00f3rach na piersi kuropatwy. Jej wykonanie jest skomplikowane, a wska\u017anik powodzenia niski, co sprawia, \u017ce zachowane egzemplarze s\u0105 niezwykle rzadkie.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

5. Glazura Yaobian<\/h2>\n\n\n\n

Podobnie jak \u201cOil Spot\u201d, termin \u201cYaobian\u201d r\u00f3wnie\u017c pochodzi z Japonii. W Japonii zachowa\u0142y si\u0119 trzy kompletne dzie\u0142a Yaobian z dynastii Song, z kt\u00f3rych najs\u0142ynniejszym jest fili\u017canka Yaobian znajduj\u0105ca si\u0119 w Muzeum Sztuki Seikado Bunko, znana jako \u201cWszech\u015bwiat w fili\u017cance\u201d.\u201d<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Glazura Yaobian powstaje w wyniku najwy\u017cszego stopnia przemiany w piecu, \u0142\u0105cz\u0105c techniki glazur \u201eHare\u2019s Fur\u201d i \u201eOil Spot\u201d. Glazura ta charakteryzuje si\u0119 okr\u0105g\u0142ymi lub prawie okr\u0105g\u0142ymi plamkami, kt\u00f3re skupiaj\u0105 si\u0119 w grupy, tworz\u0105c efekt kosmicznej mg\u0142awicy. W \u015bwietle glazury Yaobian mieni\u0105 si\u0119 odcieniami niebieskiego, purpurowo-czerwonego i z\u0142otego, daj\u0105c osza\u0142amiaj\u0105co ol\u015bniewaj\u0105cy efekt.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

6. Glazury w r\u00f3\u017cnych kolorach<\/h2>\n\n\n\n

Glazura o r\u00f3\u017cnorodnej kolorystyce nie jest celowym dzie\u0142em rzemie\u015blnik\u00f3w, lecz raczej nieoczekiwanym efektem procesu wypalania. Ka\u017cda glazura, kt\u00f3ra nie mie\u015bci si\u0119 w kategoriach \u201eczarna\u201d, \u201efutro zaj\u0105ca\u201d, \u201eplama oleju\u201d, \u201epi\u00f3ro kuropatwy\u201d ani \u201eYaobian\u201d, jest klasyfikowana jako glazura o r\u00f3\u017cnorodnej kolorystyce.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

W\u015br\u00f3d szkliw w r\u00f3\u017cnych kolorach mo\u017cna znale\u017a\u0107 szerok\u0105 gam\u0119 barw i wzor\u00f3w, takich jak czerwie\u0144 persymony, py\u0142 herbaciany, plamy rdzy, szkliwo p\u0119kaj\u0105ce, szkliwo szare i wiele innych. Chocia\u017c nie s\u0105 one efektem zamierzonego dzia\u0142ania, niekt\u00f3re egzemplarze s\u0105 wyj\u0105tkowo pi\u0119kne i niepowtarzalne.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Wnioski<\/h3>\n\n\n\n

Sztuka Jian Zhan polega na r\u00f3\u017cnorodnych i pi\u0119knych wzorach szkliwa, z kt\u00f3rych ka\u017cdy ma swoj\u0105 histori\u0119 i niepowtarzalny urok. Niezale\u017cnie od tego, czy jest to klasyczna czarna glazura, elegancka \u201esier\u015b\u0107 zaj\u0105ca\u201d, ol\u015bniewaj\u0105ca \u201eplama oleju\u201d, rzadkie \u201epi\u00f3ro kuropatwy\u201d, kosmiczna \u201eYaobian\u201d, czy te\u017c nieoczekiwana \u201eglazura wielobarwna\u201d \u2013 ka\u017cde dzie\u0142o Jian Zhan stanowi \u015bwiadectwo umiej\u0119tno\u015bci i kreatywno\u015bci jego tw\u00f3rcy.<\/p>","protected":false},"excerpt":{"rendered":"

Jian Zhan represents the intricate art of fusing earth and fire, embodying the phrase “one cup, one world.” The glaze on Jian Zhan is transformed at high temperatures, around 1300 degrees Celsius, creating unique and natural patterns known as “kiln changes.” The crystalline glaze and its vivid kiln change patterns are what make Jian Zhan […]<\/p>\n","protected":false},"author":1,"featured_media":16620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[447],"tags":[449],"class_list":["post-17880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teaware","tag-jian-zhan"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"yoast_head":"\nJian Zhan: Understanding Six Classic Glaze Patterns - China Tea Spirit<\/title>\n<meta name=\"description\" content=\"Jian Zhan represents the intricate art of fusing earth and fire, embodying the phrase "one cup, one world." 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